무선 스틱청소기

판정 보류 1인칭 액션캠 연출이라 얼굴이 화면에 안 잡힙니다 — 요구한 연출대로입니다. 참조에는 M1 이 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: an ordinary Korean adult, casual home clothes, unregistered person. 100% match.
@Image2 — the product: 화이트 바디, 투명 먼지통, 메탈릭 금속봉, 회전 브러시 헤드, 미니멀 디자인. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up, for face consistency.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 110 cm long fully extended, with a clear dust canister roughly 8 cm across — the canister measures about one and a half times the length of an adult palm, and the whole stick body is about the length of a forearm plus a bit more when held upright. It must never look larger than her torso height.

LOCATION:
the tight floor space of a compact one-room studio, beside a small bed and folding table, where loose strands of hair are scattered on the bare floor near the drying rack

FIRST FRAME:
0.0s — medium explainer framing, the person already gripping the metallic handle upright with one hand, the rotating brush head resting lightly on the floor, the product visible and close to the lens as she starts talking.

ACTION TIMING:
0–3s — Medium framing, product held up and visible. She opens straight into a quick tip or the context for using it — no preamble, no greeting.
3–5s — She turns the product once in her hand and performs its one control: pressing the power switch on the handle once with her thumb, her other hand steadying the metal rod as the brush head spins to life
5–10s — The camera moves in close on her hands as she demonstrates the core steps, then pulls back to her face as she keeps explaining, then returns close on her hands for the next step. guiding the rotating brush head directly over the scattered strands of hair on the floor, the bristles pulling the hair straight into the suction inlet
10–13s — One last close insert on the final motion or application, completed on camera — nothing cuts away before it finishes.
13–15s — Back to medium framing, she holds up the product. the loose hair visibly vanishes from the floor the instant the brush head passes over it, and the clear canister shows the hair collecting inside right away She looks into the lens with the product still in frame and lands the closing line. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "아니 이거 삼십구만 원인데 이래도 되나"
3–5s — "머리카락이 진짜 한 번에 훅 빨려가요"
5–10s — "봐봐요, 바닥에 머리카락 이렇게 뿌려놨는데"
10–13s — "한 번 밀었더니 통 안에 다 들어가 있어요"
13–15s — "이 정도면 삼십구만 원 값은 하네요"

PERFORMANCE:
LINE_1 — she wants to voice a half-joking disbelief at the price, said with a small laugh and a raised eyebrow, glancing down at the vacuum in her hand
LINE_2 — genuine surprise breaking through, eyes widening slightly as she watches the hair disappear, voice picking up pace
LINE_3 — she wants the listener to actually see the mess first, pointing down at the scattered hair on the floor with her free hand, inviting them to look
LINE_4 — a satisfied little laugh, tilting the canister slightly toward camera to show it's full, a beat of pride in her voice
LINE_5 — a settled, closing verdict delivered with a small nod, tone landing calm and certain rather than excited
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Clear plastic dust canister, white slim body, metallic extension rod, motorized rotating brush head — smooth injection-molded plastic and brushed metal surfaces
- The brush head bristles spin fast enough to blur, dragging loose hair across the floor into the inlet in one continuous pull
- The clear canister lets collected hair and dust visibly pile up inside as it's used, no liquid or spray involved anywhere
- NEVER: the canister must never appear already full before the vacuum passes over the hair — it fills only after suction, never before
- Scale is fixed: about 110 cm long fully extended, with a clear dust canister roughly 8 cm across — the canister measures about one and a half times the length of an adult palm, and the whole stick body is about the length of a forearm plus a bit more when held upright. It must never look larger than her torso height.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet one-room studio, the vacuum motor's whirring hum rising when switched on, the brush head's soft mechanical whir against the floor, hair rustling as it's pulled in, and her voice as the loudest element throughout.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: mostly to-lens while explaining, eyes drop to the product and hands during the control and each demonstration step, returning to-lens for the close.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none