우드 머스크 향수

모델 일치 지정한 F3 가 향수를 들고 나옵니다 — 직전 런에서 사람이 아예 없던 그 건이 고쳐졌습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a young adult Korean woman with long straight black hair falling naturally over her shoulders, calm and composed neutral expression, clean minimalist style, wearing a simple form-fitting black tank top. 100% match.
@Image2 — the product: 투명 유리병, 골드 톤 리퀴드, 실버 메탈 캡, 고급 스튜디오 느낌. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up, appearance only.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 9 cm tall and 4 cm across, 50 ml — roughly the length of a thumb doubled, a bit taller than a palm's width, sitting easily between two fingers. It must never look larger than her open hand.

LOCATION:
On the tiled vanity counter in front of the bathroom mirror, beside the sink, under the soft glow of the vanity light.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already cradling the sealed glass bottle upright between two fingers, cap still on, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: holding the bottle steady in one hand and twisting the silver metal cap off with the other, the cap staying pinched between her fingertips
8–11s — The camera pushes in on the product as pressing the sprayer nozzle down once against the inside of her other wrist, a fine mist settling onto the skin so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. she brings her misted wrist close to her face and to the camera, inhaling once, then holds it there a beat as if the scent is still rising off her skin She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이거 뿌리고 사람들이 계속 물어봐요."
3–8s — "은은하게 퍼지는데 시간 지나도 향이 그대로 남아있어요."
8–11s — "손목에 한 번만 뿌렸는데, 봐요, 아직도 향이 나요."
11–15s — "하루 종일 가는 향수, 이거면 충분해요."

PERFORMANCE:
LINE_1 — she wants to hook the listener with a small brag; delivered with a light, knowing smile and a slight raise of the bottle toward camera.
LINE_2 — she wants the listener to trust the lasting quality; delivered slower, calm and confident, eyes softening as if recalling the effect.
LINE_3 — she wants to show the listener proof, not just tell them; delivered while tilting her wrist toward the lens, a small surprised exhale before speaking.
LINE_4 — she wants to leave the listener with a settled verdict; delivered with a short pause before the line, a firm small nod at the end.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Clear glass bottle holding a gold-toned liquid perfume, catching light through the glass.
- Silver metal cap fits snugly and comes off with a single clean twist, no threads visible.
- The liquid moves in a thin, slow swirl when the bottle tilts, settling smooth with no foam or fizz.
- NEVER: the liquid never sprays as a visible mist cloud lingering in the air like smoke — it disperses invisibly, not as a visible fog.
- Scale is fixed: about 9 cm tall and 4 cm across, 50 ml — roughly the length of a thumb doubled, a bit taller than a palm's width, sitting easily between two fingers. It must never look larger than her open hand.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Just room tone in the tiled bathroom, the soft click of the metal cap twisting off, the light psst of the spray nozzle releasing once, a faint water-pipe hum from the sink fixture, and her spoken lines carrying clearly over all of it.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
none