우드 디퓨저

모델 일치 지정한 F3 가 그대로 나옵니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a young Korean woman, simple and clean style, natural makeup, calm and friendly demeanor. 100% match.
@Image2 — the product: 원형 베이지 세라믹 용기에 여러 개의 나무 스틱이 꽂힌 미니멀한 디퓨저. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 12 cm tall and 9 cm across at the base, holding roughly 150 ml of oil — a bit wider than an adult palm and about as tall as a palm's length, with the reed sticks rising another 20 cm above the rim. It must never look larger than a head.

LOCATION:
On a low bedside table beside a lamp in a cozy bedroom with rumpled bedding and soft window light.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already resting steady on the table with both hands loosely framing it, not yet lifted, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: picking it up carefully with both hands, cradling the ceramic base in her palms and tilting it slightly to show the reed sticks without letting any spill
8–11s — The camera pushes in on the product as bringing the top of the reed sticks close to her face and drawing a slow breath near their tips so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the darker, oil-damp tips of the sticks catch the window light as she tilts them into view, visibly different from their dry upper half She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: A slow push in from a medium shot of the room toward a close-up on her face as she finishes speaking.

DIALOGUE:
0–3s — "아 맞다, 이거 며칠 됐는데 방문 열자마자 냄새 나."
3–8s — "나무 스틱이 향을 머금고 있다가 들어갈 때마다 퍼뜨려주더라고."
8–11s — "봐봐, 스틱 끝이 촉촉하게 향 먹은 거 보이지."
11–15s — "방 분위기 담당으로 하나 놔둘 만해."

PERFORMANCE:
LINE_1 — she wants to flag a small surprise to the viewer, half-laughing at herself; eyebrows lift, a quick exhale like she just noticed something.
LINE_2 — she wants to explain the discovery plainly, like sharing a tip with a friend; calm, slightly warmer tone, easy hand gesture toward the diffuser.
LINE_3 — she wants the viewer to actually look, not just listen; she leans in slightly and points with one finger toward the stick tips.
LINE_4 — she wants to leave the viewer with a settled, satisfied verdict; small nod, soft closed-mouth smile, voice dropping slightly at the end.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Round beige ceramic base holding a shallow pool of scented oil, several thin wooden reed sticks standing upright in it.
- The sticks stay rigid and dry to the touch on the outside while their embedded end stays faintly darkened and damp with absorbed oil.
- No mechanical parts, no sound when handled — moving it only makes a faint wooden click if the sticks knock the ceramic rim.
- NEVER show liquid dripping, pouring, or visibly running down the sticks or the ceramic — the oil stays absorbed, never a visible flow.
- Scale is fixed: about 12 cm tall and 9 cm across at the base, holding roughly 150 ml of oil — a bit wider than an adult palm and about as tall as a palm's length, with the reed sticks rising another 20 cm above the rim. It must never look larger than a head.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Soft room tone from the bedroom, the faint rustle of bedding as she shifts, a light wooden click as the reed sticks brush the ceramic rim, her breath audible as she leans in — her spoken lines stay the loudest thing throughout.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
A slow push in from a medium shot of the room toward a close-up on her face as she finishes speaking. This applies to the ending of the clip and supersedes the register above for those seconds; the register above resumes elsewhere.

PROPS:
a small bedside lamp