콜드브루 원액

모델 일치 지정한 M1 이 그대로 나옵니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a young adult Korean man, neatly groomed short hair, calm and tidy appearance. 100% match.
@Image2 — the product: 어두운 갈색 유리병, 검은 뚜껑, 크라프트 갈색 라벨. 100% match; every word, logo and label exactly as the reference.
@Image3 — the person's face close-up. Appearance only.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 carries appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 16 cm tall and 6 cm across, roughly 300 ml — about one and a half times the length of an adult palm, sitting easily in one hand. It must never look larger than his forearm.

LOCATION:
A tidy home kitchen counter near the sink, with simple dishes and a mug set nearby under soft daylight from a window.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already cradling the sealed glass bottle upright in one hand, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. He opens straight into what he wants to say — no preamble, no greeting.
3–8s — He raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: holding the bottle steady in one hand and twisting the black cap off with the other, the cap staying pinched between two fingers
8–11s — The camera pushes in on the product as he tilts the bottle's open mouth over a clear glass of water and lets the dark concentrate pour in so the result is unmistakable — it stays on it rather than cutting away.
11–15s — He lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. The water visibly darkens and swirls into a rich brown as the concentrate hits it, going from clear to coffee-colored in seconds. He lands the closing line as he does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이거 진짜 물만 부으면 되는 거예요?"
3–8s — "저도 처음엔 설마 카페 맛이 나겠어 싶었거든요."
8–11s — "근데 딱 한 모금에 눈이 번쩍 뜨이더라고요."
11–15s — "이 정도면 집이 카페예요."

PERFORMANCE:
LINE_1 — genuine curiosity aimed at the viewer, eyebrows raised, holding the bottle up slightly as if letting them check it themselves.
LINE_2 — a small self-aware shrug, half-laughing at his own past doubt, shaking his head once.
LINE_3 — the discovery beat: eyes widen for real, he pauses mid-sentence like the taste caught him off guard.
LINE_4 — a satisfied, settled nod, said plainly to the viewer as a closing verdict, not to himself.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Contains a thick, near-black coffee concentrate inside a dark brown glass bottle, sealed with a black cap.
- The liquid pours in a slow, syrupy ribbon, catching light at its edges as it stretches and coils into the water below.
- Craft brown paper label stays flat and dry against the curved glass, never peeling or wrinkling.
- NEVER: the concentrate never fizzes, foams or changes color on its own before touching water.
- Scale is fixed: about 16 cm tall and 6 cm across, roughly 300 ml — about one and a half times the length of an adult palm, sitting easily in one hand. It must never look larger than his forearm. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet kitchen, the soft clink of the cap being set down, the low glug of liquid pouring from the bottle, and the spoken lines carrying clearly over it all.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
A slow-motion macro push-in on the dark cold brew concentrate pouring from the bottle into the glass, the stream and the swirling color change filling the frame in dramatic close-up before settling back to normal speed and framing. This applies to the whole clip and supersedes the register above wherever the two disagree.

PROPS:
a clear drinking glass